As deep as I am into home studio recording, I’m not much of a synthesizer guy. For the longest time, I used preset sounds because I had no idea what all those knobs and settings did. Even after taking classes on synthesis, I’m probably more inclined to use sampled sounds than to create my own. I pretty much write music for live bands, but I don’t have a band. So I use synthesizers and samplers.<\/p>\n
Cakewalk recently released SONAR 7<\/a>, the 2007 update of their flagship digital audio workstation software. The company has also bundled SONAR 7 with its other large products — Project5, Rapture and Dimension Pro — into a package called Cakewalk Pro Suite<\/a>. The bundle sells for about $799 retail, but since I own SONAR 5 Producer Edition, I qualify for an upgrade price of $479. The upgrade price to SONAR 7 Producer Edition is $229. For $250 more, I can get software that would cost $707 to get separately with entirely new licenses.<\/p>\n So that begs the question — do I need them?<\/p>\n <\/p>\n This past weekend, I downloaded demos of Rapture and Project5. No demo of Dimension Pro is available, although I read somewhere on the Cakewalk forum that the Rapture demo is similar to Dimension Pro.<\/p>\n Rapture is a synthesizer, and Dimension Pro is a sampler. Given my preference for sampled sounds, I’m not so much interested in Rapture as Dimension Pro. The user interface between Dimension Pro<\/a> and Rapture<\/a> look similar, so I gave Rapture a shot.<\/p>\n The narrow buttons with the squat text made it hard to figure out the signal flow. A bit of random clicking allowed me to guess what were oscillators, filters and envelopes, but I couldn’t be too sure. Since Rapture has no sampling capabilities, I couldn’t really project how Dimension would compare. The user interface seems a bit busy, but I don’t really expect to use it all that much. I do wish a Dimension Pro demo was available though.<\/p>\n As for Project5, it’s definitely the product with which Cakewalk wants to compete with Ableton Live. I was introduced to Ableton Live before Project5, so I already had some expectations. When I was first working with Live, the tutorials really helped explain the user interface. The Project5 tutorials didn’t do nearly the same kind of job selling its interface.<\/p>\n As a result, I found it clunky and a bit left-brained. I attempted to recreate Terry Riley’s In C<\/em> in Project5 the way I did with Live. Project5 isn’t as liberal as Live when it comes to clashing time signatures, and it forced unison playing whenever I triggered new clips in its Groove Matrix (analogous to Live’s Session View.) Unison is not good for a performance of In C<\/em>. Although the feature set is parallel, Live can support VST and includes its own arsenal of proprietary instruments. Project5 is pretty much a host for other software synthesizers.<\/p>\n Its support of Rewire is even harder to handle than SONAR. With SONAR, I can assign multiple tracks to a single Reason song file. In Project5, I have to create track layers, which adds too much complexity to a process that should be straightforward. I’m also having a hard time picturing a Rewire connection between Project5 and SONAR. I actually think SONAR handles a few things better than Project5.<\/p>\n As tempted as I am to spend the extra money for the Cakewalk Pro Suite, dropping cash on software I probably won’t end up using is wasteful. I am still curious about Dimension Pro because it comes bundled with the Garritan Pocket Orchestra. At some point, I’d be interested in writing more classically-minded works, and I’m in the market for a good library. (There is a version of the Garritan Personal Orchestra available for Reason as a Refill<\/a>.)<\/p>\n So that led me to explore Native Instruments Kontakt<\/a>, a sampler which contains portions of the Vienna Symphonic Library<\/a>. The demo didn’t include any of it, but I did try it out to see how well it worked.<\/p>\n With SONAR 5, the Kontakt demo seemed very straight forward. I assigned the audio output and MIDI channel of a MIDI track to Kontakt, and it played the samples with no problem. I would like to try out some of the guitar samples — the detail with which you can articulate the sample in such an idiomatic manner looks really powerful — but they weren’t included in the demo either.<\/p>\n I did see reports of SONAR 7 and Kontakt 3 not getting along, but I wonder if that’s the case for a new installation of Kontakt. As much of a failure Finale has turned out for me, it did yield a nice upgrade path for Kontakt — the GPO Player in Finale qualifies for a competitive cross grade.<\/p>\n Despite those reports of Kontakt 3 crashing SONAR, I might still invest in it. I’d like to shake up the sound of my demos, and as helpful as Reason has been, I feel like I need more options.<\/p>\n","protected":false},"excerpt":{"rendered":" Do I need them?<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[14],"tags":[],"class_list":["post-228","post","type-post","status-publish","format-standard","hentry","category-technophilia-aural"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4Bkjq-3G","_links":{"self":[{"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/posts\/228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/comments?post=228"}],"version-history":[{"count":0,"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/posts\/228\/revisions"}],"wp:attachment":[{"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/media?parent=228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/categories?post=228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/tags?post=228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}