{"id":224,"date":"2007-08-12T21:36:22","date_gmt":"2007-08-12T21:36:22","guid":{"rendered":"http:\/\/dev.gregbueno.com\/wp\/sakufu\/2007\/08\/12\/what_i_learned_4\/"},"modified":"2007-08-12T21:36:22","modified_gmt":"2007-08-12T21:36:22","slug":"what_i_learned_4","status":"publish","type":"post","link":"https:\/\/gregbueno.com\/sakufu\/2007\/08\/12\/what_i_learned_4\/","title":{"rendered":"What I learned: You too can sound like you don&#8217;t suck at karaoke"},"content":{"rendered":"<p>When dealing with the V-Vocal editor in Cakewalk SONAR, it&#8217;s important to know <a href=\"http:\/\/forum.cakewalk.com\/tm.asp?m=651968&amp;mpage=1\">these helpful hints<\/a>. For the past three weeks, I&#8217;ve been recording vocals, and I make no claims of being a singer. So the results often require lots of clean-up.<\/p>\n<p>I tried figuring out V-Vocal on my own, but it&#8217;s a quirky tool and unstable to boot. I can&#8217;t count the number of times my computer crashed while I was using it. If you just look at it wrong, it craps out. Despite that inconvenience, it did work incredible wonders on my voice.<\/p>\n<p>But to get to that point, it helps to know the subtleties of V-Vocal, which isn&#8217;t really spelled out in the documentation. In addition to adjusting pitches, V-Vocal can fix modulations (like vibrato or warbled notes) and smooth out portamento. That attack a little sharp? It can be flattened out. That long note a bit shaky? It can be tamed.<\/p>\n<p><!--more--><\/p>\n<p>But the proof is in the results. Last summer, I recorded a whole bunch of vocals, and I hated just about all of them. Only one song, &quot;Speechless&quot;, managed to sound good at first shot, and few others had promise if only some obvious mistakes could be masked. Everything else was crap.<\/p>\n<p>After reading up on some of V-Vocals features this past weekend, I tried them on a song I recorded a year ago titled &quot;Without Nothing&quot;. <a href=\"http:\/\/www.eponymous4.com\/audio\/play\/vocals\/_unedited_Eponymous_4_-_Without_Nothing.mp3\">Listen to the original take<\/a>, without editing.<\/p>\n<p>I&#8217;m flat on more than a few notes, and I&#8217;m even late coming in on the second verse.<\/p>\n<p>Now <a href=\"http:\/\/www.eponymous4.com\/audio\/play\/vocals\/Eponymous_4_-_Without_Nothing.mp3\">listen to the edited take<\/a>. That&#8217;s how the melody is supposed to sound like.<\/p>\n<p>In addition to fixing the pitches, I also added some compression to give the vocals an even level. <strike>V-Vocal doesn&#8217;t address rhythm, but some creative use of duplicate audio clips and cross-fading certainly helps. For the second verse, I nudged the mistimed part over, then found an overlap with a vowel on a duplicate clip where I put some cross-fading. Without re-recording anything, I managed to extend one note and re-time another. You can hear it on the isolated vocal track, but with a music background, the transition is masked.<\/strike> Actually, V-Vocal <em>does<\/em> fix rhythm, and it&#8217;s a lot easier than messing with spliced clips.<\/p>\n<p>If I were a real singer, I&#8217;m sure this kind of doctoring would be mostly unnecessary. But I&#8217;m not a singer, and I need any help I can get. Doctoring my own voice to sound as it <em>should<\/em> goes a long way in helping me rehearse the song <em>correctly<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>That attack a little sharp? It can be flattened out. That long note a bit shaky? It can be tamed.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[14],"tags":[],"class_list":["post-224","post","type-post","status-publish","format-standard","hentry","category-technophilia-aural"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4Bkjq-3C","_links":{"self":[{"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/posts\/224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/comments?post=224"}],"version-history":[{"count":0,"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/posts\/224\/revisions"}],"wp:attachment":[{"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/media?parent=224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/categories?post=224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gregbueno.com\/sakufu\/wp-json\/wp\/v2\/tags?post=224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}