{"id":44,"date":"2005-07-28T08:32:44","date_gmt":"2005-07-28T16:32:44","guid":{"rendered":"http:\/\/gregbueno.com\/wp\/meisakuki\/2005\/07\/28\/a_list\/"},"modified":"2005-07-28T08:32:44","modified_gmt":"2005-07-28T16:32:44","slug":"a_list","status":"publish","type":"post","link":"https:\/\/gregbueno.com\/meisakuki\/2005\/07\/28\/a_list\/","title":{"rendered":"A list"},"content":{"rendered":"

I have no idea if anyone reads this sliver of the Internets, but I’m finding it helpful. I could have conceivably kept all these notes in on paper, but it’s so much easier plugging this URL into a browser and reminding myself, “Hmm. I really ought to finish that, shouldn’t I?”
\nI made a list. Yeah, I can sense you rolling your eyes through the monitor there.
\nIt’s a chronological list of songs, divided into ones for which I’ve recorded in some fashion or other, ones I have yet to record and others which have yet to be finished.
\nThis output covers about 15 years. Don’t be fooled — career musicians probably have lists far longer than this one. The dates are when they were first sketched out, not when they were recorded. “Speechless”, for instance, was written in 1998, but I never recorded it until this year.
\nI also have a binder full of songs I wrote in the first years of high school. None of those are really worth acknowledging. (Although one of these days, I’ll have to thumb through them to see if any are worth pillaging.)
\nI think I’m going to make this page somewhat dynamic — if I record something or finish something, I’ll edit this page to reflect that status.
\n[Edited to add: I think I’ll also link to any demos recorded and available online.]<\/i>
\n[UPDATE 06\/25\/06: I reformatted this page to include a lot more information than the original post. I added revision dates, since a number of songs were changed extensively, and I added recording dates. The list is still organzied chronigically by original composition date. Or what I remember to be the original composition date.]
\n[UPDATE 06\/20\/07: Added a few more revisions since last year.]<\/p>\n


\n table.demos {border-collapse: collapse; border: 1px solid #FFF; width: 100%} table.demos td, table.demos tr, table.demos th {border: 1px solid #FFF;}<\/p>\n

Demos recorded<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Song title<\/th>\nWritten<\/th>\nRevised<\/th>\nRecorded<\/th>\n<\/tr>\n
Promises<\/a><\/td>\n1987<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Silver Sting<\/a><\/td>\n1987<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Beat of the Heart<\/a><\/td>\n1988<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Faith in Religion<\/a><\/td>\n1989<\/td>\n2005<\/td>\n2005<\/td>\n<\/tr>\n
The Dreaming End<\/a> (formerly Offertorium from Dead Man’s Mass)<\/td>\n1989<\/td>\n2006<\/td>\n2005<\/td>\n<\/tr>\n
The Nature of Things<\/td>\n1989<\/td>\n<\/td>\n*<\/td>\n<\/tr>\n
Strivers for a Better Tomorrow<\/a><\/td>\n1990<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Untitled (Acid Vogue)<\/td>\n1990<\/td>\n<\/td>\n*+<\/td>\n<\/tr>\n
String Quartet No. 1: Allegro<\/a><\/td>\n1991<\/td>\n<\/td>\n2007<\/td>\n<\/tr>\n
String Quartet No. 1: Adagio<\/a><\/td>\n1991<\/td>\n<\/td>\n2007<\/td>\n<\/tr>\n
String Quartet No. 1: Allegro (reprise)<\/a><\/td>\n1991<\/td>\n<\/td>\n2007<\/td>\n<\/tr>\n
Never Turn Back<\/a><\/td>\n1991<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Five<\/a><\/td>\n1991<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Downtown Downpour<\/a><\/td>\n1991<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Take It Apart<\/a><\/td>\n1991<\/td>\n2005<\/td>\n2005<\/td>\n<\/tr>\n
Yesterday, Today, Tomorrow (Sacred Hearts 1991)<\/a><\/td>\n1991<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
No Exit<\/a><\/td>\n1993<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Blood Money<\/td>\n1993<\/td>\n<\/td>\n*+<\/td>\n<\/tr>\n
Hear the Wind Sing<\/a><\/td>\n1995<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Palomino<\/a><\/td>\n1995<\/td>\n<\/td>\n2006<\/td>\n<\/tr>\n
Untitled (Techno)<\/td>\n1996<\/td>\n<\/td>\n*+<\/td>\n<\/tr>\n
Three Prayers in Irish Gaelic: I. \u00c1r nAthar<\/a><\/td>\n1996<\/td>\n2007<\/td>\n2007<\/td>\n<\/tr>\n
Three Prayers in Irish Gaelic: II. Naomh Mhuire<\/a><\/td>\n1996<\/td>\n2007<\/td>\n2007<\/td>\n<\/tr>\n
Three Prayers in Irish Gaelic: III. Gl\u00f3r don Athair; Amen<\/a><\/td>\n1996<\/td>\n2007<\/td>\n2007<\/td>\n<\/tr>\n
enigmatics II<\/a><\/td>\n1998<\/td>\n<\/td>\n1998<\/td>\n<\/tr>\n
enigmatics III<\/a><\/td>\n1999<\/td>\n<\/td>\n1999<\/td>\n<\/tr>\n
enigmatics V<\/a><\/td>\n1999<\/td>\n<\/td>\n1999<\/td>\n<\/tr>\n
enigmatics I<\/a><\/td>\n1999<\/td>\n<\/td>\n1999<\/td>\n<\/tr>\n
enigmatics IV<\/a><\/td>\n1999<\/td>\n<\/td>\n1999<\/td>\n<\/tr>\n
On Paper<\/a><\/td>\n1999<\/td>\n2005<\/td>\n2005<\/td>\n<\/tr>\n
Speechless<\/a><\/td>\n1999<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Strange Arrangement<\/a><\/td>\n1999<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
The One to Make You Whole<\/a><\/td>\n1999<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Without Nothing<\/a><\/td>\n1999<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Letter I<\/a><\/td>\n1999<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Release<\/a><\/td>\n1999<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Revulsion<\/a><\/td>\n2001<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Epiphany<\/a><\/td>\n2001<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Disengaged<\/a><\/td>\n2001<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
TV People<\/a><\/td>\n2001<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Relent<\/a><\/td>\n2001<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Dismissal<\/a><\/td>\n2001<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Contrition<\/a><\/td>\n2001<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Restraint<\/a><\/td>\n2001<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Our Best Wasn’t Enough<\/a><\/td>\n2003<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Your Gaze<\/a><\/td>\n2003<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
A Simple Song<\/a><\/td>\n2004<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Love and Pride<\/a><\/td>\n2005<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Imprint<\/a><\/td>\n2005<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Undone<\/a><\/td>\n2005<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
A Chance to Get It Right<\/a><\/td>\n2005<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Late Thaw<\/a><\/td>\n2005<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Choices<\/a><\/td>\n2005<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Rescuer<\/a><\/td>\n2005<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Here<\/a><\/td>\n2005<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
All the Times I Remember<\/a><\/td>\n2005<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Emancipation<\/a><\/td>\n2005<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Reticence<\/a><\/td>\n2005<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Melt<\/a><\/td>\n2005<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Letter II<\/a><\/td>\n2005<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Heard and Said<\/a> (formerly Shockwave, 1987)<\/td>\n2005<\/td>\n<\/td>\n2005<\/td>\n<\/tr>\n
Untold Demons<\/a> (formerly Untold Demons, 1986)<\/td>\n2006<\/td>\n<\/td>\n2006<\/td>\n<\/tr>\n
Light of Day<\/a> (formerly Light of Day, 1989)<\/td>\n2006<\/td>\n<\/td>\n2006<\/td>\n<\/tr>\n
Dusk<\/a> (formerly Heaven Hide Yourself, 1988)<\/td>\n2006<\/td>\n<\/td>\n2006<\/td>\n<\/tr>\n
Go<\/a> (formerly Ragged Edge, 1986)<\/td>\n2006<\/td>\n<\/td>\n2006<\/td>\n<\/tr>\n
Risk (Wait and See)<\/a> (formerly Senorita de Misteria, 1988)<\/td>\n2006<\/td>\n<\/td>\n2006<\/td>\n<\/tr>\n
NaSoPiAlMo No. 1<\/a><\/td>\n2006<\/td>\n<\/td>\n2006<\/td>\n<\/tr>\n
NaSoPiAlMo No. 2<\/a><\/td>\n2006<\/td>\n<\/td>\n2006<\/td>\n<\/tr>\n
NaSoPiAlMo No. 3<\/a><\/td>\n2006<\/td>\n<\/td>\n2006<\/td>\n<\/tr>\n
NaSoPiAlMo No. 4<\/a><\/td>\n2006<\/td>\n<\/td>\n2006<\/td>\n<\/tr>\n
NaSoPiAlMo No. 5<\/a><\/td>\n2006<\/td>\n<\/td>\n2006<\/td>\n<\/tr>\n
NaSoPiAlMo No. 6<\/a><\/td>\n2006<\/td>\n<\/td>\n2006<\/td>\n<\/tr>\n
NaSoPiAlMo No. 7<\/a><\/td>\n2006<\/td>\n<\/td>\n2006<\/td>\n<\/tr>\n
NaSoPiAlMo No. 8<\/a><\/td>\n2006<\/td>\n<\/td>\n2006<\/td>\n<\/tr>\n
NaSoPiAlMo No. 9<\/a><\/td>\n2006<\/td>\n<\/td>\n2006<\/td>\n<\/tr>\n
What I Deserve<\/a><\/td>\n2007<\/td>\n<\/td>\n2007<\/td>\n<\/tr>\n
\u4eca<\/a><\/td>\n2007<\/td>\n<\/td>\n2007<\/td>\n<\/tr>\n
\u5065\u5fd8\u75c7<\/a><\/td>\n2007<\/td>\n<\/td>\n2007<\/td>\n<\/tr>\n
\u5149\u304c\u306a\u3044<\/a><\/td>\n2007<\/td>\n<\/td>\n2007<\/td>\n<\/tr>\n
\u8de1\u306a\u3057<\/a><\/td>\n2007<\/td>\n<\/td>\n2007<\/td>\n<\/tr>\n
\u9593\u9055\u3044<\/a><\/td>\n2007<\/td>\n<\/td>\n2007<\/td>\n<\/tr>\n
\u8a00\u8449\u306f\u30cf\u30fc\u30c8\u3092\u523a\u3059\u5200\u306b\u306a\u308b<\/a><\/td>\n2007<\/td>\n<\/td>\n2007<\/td>\n<\/tr>\n
\u7d50\u679c<\/a><\/td>\n2007<\/td>\n<\/td>\n2007<\/td>\n<\/tr>\n
\u6587\u53e5\u3000\u6587\u53e5<\/a><\/td>\n2007<\/td>\n<\/td>\n2007<\/td>\n<\/tr>\n
\u5f8c\u6094\u3057\u306a\u3044<\/a><\/td>\n2007<\/td>\n<\/td>\n2007<\/td>\n<\/tr>\n
\u805e\u3044\u3066\u306f\u3044\u3051\u306a\u3044\u3001\u8a00\u3063\u3066\u306f\u3044\u3051\u306a\u3044<\/a><\/td>\n2007<\/td>\n<\/td>\n2007<\/td>\n<\/tr>\n
\u4f4f\u3093\u3067\u3044\u306a\u3044<\/a><\/td>\n2007<\/td>\n<\/td>\n2007<\/td>\n<\/tr>\n
\u5149\u901f<\/a><\/td>\n2007<\/td>\n<\/td>\n2007<\/td>\n<\/tr>\n<\/table>\n


\n* recorded on first workstation
\n+ no plans on re-recording with new workstation
\n<\/span>
\n<!–<\/p>\n

Demos to be finished<\/h3>\n\n\n
Song title<\/th>\nWritten<\/th>\nRevised<\/th>\nRecorded<\/th>\n<\/tr>\n<\/table>\n

Demos to be recorded<\/h3>\n\n\n\n\n\n
Song title<\/th>\nWritten<\/th>\nRevised<\/th>\nRecorded<\/th>\n<\/tr>\n
\u30c9\u30ad\u30e5\u30e1\u30f3\u30c6\u30fc\u30b7\u30e7\u30f3<\/td>\n2007<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u3057\u3064\u308c\u3057\u307e\u3059<\/td>\n2007<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\u30b9\u30ec\u30ce\u30c2\u30fc<\/td>\n2007<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/table>\n

–><\/p>\n","protected":false},"excerpt":{"rendered":"

I made a list. Yeah, I can sense you rolling your eyes through the monitor there.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-44","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s4Bkir-a_list","_links":{"self":[{"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/posts\/44","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/comments?post=44"}],"version-history":[{"count":0,"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/posts\/44\/revisions"}],"wp:attachment":[{"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/media?parent=44"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/categories?post=44"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/tags?post=44"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}