{"id":43,"date":"2005-07-27T23:34:52","date_gmt":"2005-07-28T07:34:52","guid":{"rendered":"http:\/\/gregbueno.com\/wp\/meisakuki\/2005\/07\/27\/stuck\/"},"modified":"2005-07-27T23:34:52","modified_gmt":"2005-07-28T07:34:52","slug":"stuck","status":"publish","type":"post","link":"https:\/\/gregbueno.com\/meisakuki\/2005\/07\/27\/stuck\/","title":{"rendered":"Stuck"},"content":{"rendered":"<p>After deciding &#8220;Faith in Religion&#8221; wasn&#8217;t going to be the right fit for <i>Imprint<\/i>, I felt I had to fill the slot for which I made room. I don&#8217;t know if anyone still thinks in terms of side A and side B, because when I listen to CDs, I sure don&#8217;t make the distinction any more.<br \/>\n(Well, except for music dating back to a time when there were sides A and B.)<br \/>\nBut for some reason, I&#8217;m perceiving <i>Imprint<\/i> as having two sides, and side A ends with &#8220;<a href=\"\/meisakuki\/entry.php?entry_id=1201\">Take It Apart<\/a>&#8220;, which means the track following it has a difficult task &#8212; to feel like the beginning of a side B but still flowing seamlessly from the track before.<br \/>\n&#8220;Faith in Religion&#8221; at first seemed like it could do that, until the temperament of the song got in the way. So I had to start from scratch.<br \/>\nAnd I was at a loss.<br \/>\nI&#8217;m not sure what brought Sade&#8217;s &#8220;Paradise&#8221; to mind, but that song struck me for being incredibly minimalistic. The bass line doesn&#8217;t change at all throughout the song, and there are barely three chords to it. What&#8217;s remarkable about the song is how unremarkably it develops. It kind of starts, goes along, then fades.<br \/>\nI took away from that song the idea of a pedal tone. Two chords, one bass note &#8212; it&#8217;s been done before. Heck, I&#8217;ve done it before.<br \/>\nThe &#8220;Funky Drummer&#8221; beat I used in &#8220;Fatih in Religion&#8221; was still in my head, so I cut and paste it into a new file and changed a few notes to make it slightly more hip-hop.<br \/>\nI slowed the tempo to 90 bps, and I started playing. In about an hour, I had the harmonic rhythm for a new song. I&#8217;ve spent the last two days fleshing it out with a bass line.<br \/>\nNow I&#8217;m stuck.<br \/>\nThe chord structure and the melody of the song came out on their own. I&#8217;ve got a drum beat. And I don&#8217;t hear anything else.<br \/>\nWith other songs, I could intuit a guitar riff or a melodic embellishment. This new song is all infrastructure and no detail.<br \/>\nNot yet at least.<br \/>\nBut this is where it gets dangerous. I&#8217;ll throw the first bits and pieces together and get attached to them somehow, and soon enough, I&#8217;ll have arranged myself in a corner.<br \/>\nStill, I mixed down what I have so far to an MP3, stuck it in with the rest of the mix and felt it was doable &#8212; it didn&#8217;t feel too awkward sitting between &#8220;Take It Apart&#8221; and &#8220;<a href=\"\/meisakuki\/entry.php?entry_id=1197\">Your Gaze<\/a>&#8220;.<br \/>\nSo the new sequence of <i>Imprint<\/i> looks like this:<\/p>\n<ol>\n<li> Promises\n<li> Never Turn Back\n<li> Silver Sting\n<li> Our Best Wasn&#8217;t Enough\n<li> TBD (jazz trio)\n<li> Take It Apart\n<li> TBD (paradise)\n<li> Your Gaze\n<li> Imprint\n<li> Undone\n<li> A Chance to Get It Right\n<li> Love and Pride<\/ol>\n<p>And with those additions, the total time of the album is approximately 44 minutes. Now that feels like a proper album.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The chord structure and the melody of the song came out on their own. I&#8217;ve got a drum beat. And I don&#8217;t hear anything else.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-43","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s4Bkir-stuck","_links":{"self":[{"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/posts\/43","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/comments?post=43"}],"version-history":[{"count":0,"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/posts\/43\/revisions"}],"wp:attachment":[{"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/media?parent=43"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/categories?post=43"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/tags?post=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}