{"id":114,"date":"2009-10-13T14:17:02","date_gmt":"2009-10-13T22:17:02","guid":{"rendered":"http:\/\/gregbueno.com\/wp\/meisakuki\/2009\/10\/13\/shinkyoku_morat_3\/"},"modified":"2009-10-13T14:17:02","modified_gmt":"2009-10-13T22:17:02","slug":"shinkyoku_morat_3","status":"publish","type":"post","link":"https:\/\/gregbueno.com\/meisakuki\/2009\/10\/13\/shinkyoku_morat_3\/","title":{"rendered":"Shinkyoku Moratorium, Eigoban"},"content":{"rendered":"<p>Last year, I <a href=\"http:\/\/www.gregbueno.com\/index.php\/meisakuki\/entry\/3528\/\">questioned<\/a> whether a number of covers I planned would make a congruous album. Well, I went ahead and recorded a few of them, and I discovered they indeed sounded all right.<br \/>\nNow that I&#8217;m done with the Japanese cover album, I&#8217;m going ahead with the English language cover album. Here&#8217;s the track list (this information was previously posted, crossed-out tracks are done):<\/p>\n<ol>\n<li> <strike>Duran Duran&#8217;s &quot;Planet Earth&quot; straight-forward with lyrics in Japanese<\/strike><\/li>\n<li> <strike>Bruce Robison&#8217;s &quot;Wrapped&quot; in the style of U2&#8217;s &quot;Stories for Boys&quot;<\/strike><\/li>\n<li> <strike>Gabby Pahinui&#8217;s &quot;Moonlight Lady&quot; in the style of a shoegazer band<\/strike><\/li>\n<li> <strike>Yvonne Elliman&#8217;s &quot;Hello Stranger&quot; as played on a toy keyboard.<\/strike><\/li>\n<li> <strike>Linda Ronstadt&#8217;s &quot;Hurts So Bad&quot; in the style of Garbage.<\/strike><\/li>\n<li> <strike>Janet Jackson&#8217;s &quot;Miss You Much&quot; in the style of Alice in Chains<\/strike><\/li>\n<li> <strike>The System&#8217;s &quot;Don&#8217;t Disturb This Groove&quot; in the style of Sam Amidon and Nico Muhly.<\/strike><\/li>\n<li> <strike>Leonard Cohen&#8217;s &quot;Hallelujah&quot; performed with a string quartet<\/strike><\/li>\n<li> <strike>Neutral Milk Hotel&#8217;s &quot;The Fool&quot; as an a capella piece.<\/strike><\/li>\n<li> <strike>Roberta Flack&#8217;s &quot;The Closer I Get to You&quot; in the style of Explosions in the Sky and mono.<\/strike><\/li>\n<li> <strike>Robin Holcomb&#8217;s &quot;So Straight and Slow&quot;, straight-forward<\/strike> <\/ol>\n<p><!--more--><br \/>\n<strike>The music for the first half is done, but the vocals have yet to be recorded.<\/strike> Where the Japanese-language cover album is more of a karaoke deal, this album takes far more liberties with the source material.<br \/>\nFor the &quot;Wrapped&quot; cover, I changed the chord progressions to sound more U2 than Bruce Robison. I&#8217;m also experimenting more with the drums. I usually use my KORG N364 as a rhythm section, but for a few tracks, I used Reason&#8217;s Redrum processed with some effects. On the Linda Ronstadt cover, I finally ventured into using hip-hop loops with the Dr.Rex loop constructor.<br \/>\nI wasn&#8217;t sure what I&#8217;d get out of recording covers, but it has been instructive. Following the instrumentation of the original on the Japanese cover album gave me a bit more insight on how to make my drum parts sound slightly less mechanical, while the English-language album allowed me to branch out and to use sounds and effects I hadn&#8217;t yet employed.<br \/>\nI think maybe this experience is what I needed to get me more inspired to make new Eponymous 4 material.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Now that I&#8217;m done with the Japanese cover album, I&#8217;m going ahead with the English language cover album.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-114","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4Bkir-1Q","_links":{"self":[{"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/posts\/114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/comments?post=114"}],"version-history":[{"count":0,"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/posts\/114\/revisions"}],"wp:attachment":[{"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/media?parent=114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/categories?post=114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gregbueno.com\/meisakuki\/wp-json\/wp\/v2\/tags?post=114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}